# 10 Best Affordable Microphones for the Home Studio

This post is part of a series called How to Choose and Use Microphones.
11 of the Best Studio Microphones Ever + How and When to Use Them

Making music is perhaps one of the most expensive hobbies in the world—that is, aside from tasting truffles. When you’re looking to set up a decent home studio, it’s hard to find a way to stay within budget without ending up with a terrible sound. Here are ten options to minimize expenditure while still getting a decent sound out of your system at the end of the day, by buying smart when it comes to one of the most important types of studio equipment: microphones.

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For about $100 give or take, you can pick up a Shure SM57 Microphone (you can double that price for the popular two-packs, or the SM57/58 combo packs). Though I have no real evidence, I’ve heard reputable producers say that Lenny Kravitz uses the 57 on everything, from drums to guitars to voice. This is also the go-to microphone for distorted guitars, no matter what your budget is. ## Shure SM58 The popular Shure SM58 Vocal Microphone is a dynamic mic that can also be had for about$100, and cuts the budget nicely because you can use this baby live and in the studio. While there are better microphones out there for studio recording, this’ll give you a decent vocal sound on a small budget with nice boosts in all the right places. It’s also good for distorted guitars (though the 57 is usually the best choice here).

Many heavier artists use the 58 for their vocals even when they’re in expensive studios because of the amount of screaming it can take without distorting. If you’ve got a singer who is only comfortable singing with the microphone in hand, not on a stand, this is also a good choice. I’ve had good experiences using the SM58 on backing vocals, even when I’ve got a U87 or Rode Classic on the lead.

## Shure Beta 58

Prices for this baby swing anywhere between $100 and$200. If you’re buying an SM58 because it’s a cheap vocal mic, as opposed to a cheap multi-purpose mic, and you’ve got an extra hundred in your budget, you may want to consider the Shure Beta 58A instead. It’s considered by many to be far superior to the SM58 for vocal applications, though I haven’t heard much good news for the Beta on other instruments (if you have, let us know in the comments—I haven’t tried it on anything but vocals).

## Rode NT3

The NT3 Condenser Microphone can be had for about $200—sometimes it’s closer to$300, but if you shop around and resist the impulse to buy immediately, you’ll find a good deal.

This microphone is great for acoustic guitars (especially in conjunction with an SM57 on the hole), percussion and drums—particularly those with a lot of high end, since these don’t catch as much bass. It’s also a pretty good choice for vocals, unless you’re recording a bass or baritone singer.

## Rode NTK

If you want to use the same vocal mic as Chad Krueger used on Nickelback’s Long Road, this is the one. You can find the Rode NTK for about $500, which seems a bit steep for this list, but investing in a good condenser is smart. And$500 is cheap—as everyone said when Long Road came out, “all you used was a freakin’ NTK?” But the NTK was used because Chad has a loud voice and this mic can take a beating of decibels without distorting, so it’s a good choice if you want something cheap, durable but clear and high-quality.

## Audio Technica AT2020

The Audio Technica AT2020USB Condenser USB Microphone can be had from anywhere between $100 and$150. It’s an excellent microphone specifically designed so that home users and project studios can get the most from their money, and can record everything from vocals to acoustic instruments to strings and drum overheads (and it has been engineered to be light enough to use it in this manner).

## Shure KSM27

Another offering from one of the most well-known microphone manufacturers in the world, the Shure KSM27 Microphone can be had for about $300 to$400. It’s well worth it for this cardioid condenser that has been designed with the budget musician in mind: sensitive enough for the studio, but tough enough to withstand a go at your next show. It’ll do everything from vocals to acoustic instruments.