In Reason, controlled voltage (CV) connections mimic the way data is conveyed in older analog hardware synths, allowing you to control triggers, envelopes...

In this Propellerhead Reason tutorial, we'll show you how to make the most of external MIDI instruments. We'll cover how to set them up, how to assign and...

In this quick tip, I want to share with you a fun and easy way to create radio imaging sound effects using Malstrom. Even if you're not familiar with the...

In this tutorial I'll show you one of my methods to get a modern synthetic bass sound similar to those used by artist such as Knife Party, Skrillex, xKore,...

Self-oscillation is a useful feature of many classic subtractive synths like the Moog, and some emulators. It's a great way to create unusual atonal sounds...

Many advanced synths in Reason have a Mod Matrix - an essential component in creating great patches. This week we'll become familiar with the way the Mod...

Now Reason 6.5 has been with a us a for a little while and the rack extensions store is fully operational, I thought I’d take a look at a classic Korg soft...

This pair of quick tips will give you an introduction to FM synthesis. In this second part I am going to be looking at FM synthesis. I will be using the...

This pair of quick tips will give you an introduction to to often baffling world of self-oscillation and FM synthesis - two processes which are fundamentally...

We've all heard (and possibly overheard) the classic LFO>Filter Frequency used in extensively in Dubstep, but LFOs can be used in many other creative...

Today I will show you how to use Reason's MClass equalizer as a powerful send effect. Everybody knows how to use an equalizer and how to boost or cut certain...

In the last tutorial on sci-fi vehicle sound design, we programmed the Combinator to control three main elements on both synths: Volume, Filter and LFO. By...