Compression can be a tricky one to get your head around, and even if you've got your head around the threshold and ratio settings without the attack and...

We've all heard (and possibly overheard) the classic LFO>Filter Frequency used in extensively in Dubstep, but LFOs can be used in many other creative...

Twice a month we revisit some of our reader favorite posts from throughout the history of Audiotuts+. This tutorial was first published in November 2008. ...

This tutorial will make use of some interesting wiring techniques in Reason to create a vocal time stretching effect. It also goes some of the way to...

In electronic dance music, DJ's often loop tracks to cheer up the crowd. In your music productions, you can also use this effect to create an uplifting...

Today I will show you how to use Reason's MClass equalizer as a powerful send effect. Everybody knows how to use an equalizer and how to boost or cut certain...

In this screencast we show you how to use Rewire to access Propellerhead Reason from within Mainstage—which is part of Apple's Logic Studio. We create a...

If you are a Reason user and haven't updated to version 5 yet then you really need to. There are loads of great updated features but Kong alone is worth the...

In the last tutorial on sci-fi vehicle sound design, we programmed the Combinator to control three main elements on both synths: Volume, Filter and LFO. By...

While Mid/Side (M/S) processing is not often used by mastering engineers, it has its advantages over normal stereo processing. One of them is that you can...

This quick tip will show you how you can create an interesting percussive effect using a filter and a delay unit after any percussive sound. I have created...

Continuing on from my last tutorial on creating synthesised tones for sci-fi vehicles with Reason, the following example will demonstrate further sound...