Recently, we published a two-part Plus tutorial on Reason’s sequencer. It’s only fitting that we devote one to the rack. The rack is something that many...

Here’s a preview from my upcoming book “The Music Producer’s Handbook”, that describes the many considerations that a producer and engineer have during...

Contrary to what many might think, just having great equipment doesn’t automatically guarantee that you’ll capture great sounds. Sure, having expensive...

Everybody’s first few recordings – whether that means three or thirteen – usually go the same way. The deadline’s fast approaching and hardly anything is...

Last week we looked at how microphones work and covered everything you need to know to decipher how a microphone works from its name. This week, we’re...

Post-production is sometimes overlooked in the audio field. Record producers, music engineers and platinum records are more respected, popular and cool....

We’ve published a few lists of microphones for those in the market before, but we’ve never given you a proper introduction to microphones before today....

Recording vocals can be one of the more challenging tracking phase processes you may run into. If it wasn’t enough of a tough cookie in the studio, you can...

My new book, “The Studio Musician’s Handbook” (written with top Los Angeles studio bassist Paul ILL) is about to be released and I thought it would be a good...

When you’re in the tracking phases of a recording project and need to get the best takes out of each musician you’re working with, one trick of the trade is...

Field recording seems to be a dark art to many sound designers and composers, yet it is one way to create rich libraries of original material. Through some...

Whether you're a full-time film composer or you simply write music to the occasional video for fun, using a second computer to host the video can save you...